Dasha Steps Into the Spotlight with Bold, Unapologetic Anna EP
- All Country News
- 18 minutes ago
- 2 min read
In a genre built on storytelling and grit, few newcomers have carved their lane quite like Dasha. With her new Anna EP, the rising country-pop powerhouse peels back the layers revealing an artist who can be both wild and wise, tender and untamed, often in the span of a single song.
The eight-track collection is a dynamic showcase of contrasts: it’s smoky barroom sass one moment and candlelit introspection the next. At its heart sits “Work On Me,” Dasha’s latest single, a bold, flirtatious anthem that captures her signature blend of confidence and country cool.
Dasha takes the timeless bar theme and adds her own wink in “Work On Me.” Over punchy guitars and a dash of harmonica swagger, she spots a rugged stranger across the room and dives headfirst into temptation. The song's hook, “I’m a little broken, baby, could you work on me?” is equal parts invitation and self-awareness, delivered with a wink and a whiskey-laced edge. Produced by John Ryan, whose breezy touch adds polish without sacrificing punch, “Work On Me” feels like the natural next step in Dasha’s evolution, fearless, playful, and grounded in pure country storytelling.
A Tracklist of Dualities
While “Work On Me” burns with confidence, Anna doesn’t shy away from vulnerability. There’s the stripped-back “Train,” a wistful reflection on moving on, and “Oh, Anna!,” a deeply emotional cut that feels like a journal entry set to melody. Then there’s “Like It Like That,” an addictive burst of energy whose video starring Love Island’s Rob Rausch and Briley King adds a glossy visual to Dasha’s fiery sound.
And of course, no conversation about Dasha’s rise is complete without “Not at This Party,” the viral smash that put her firmly on the map. With over 133 million streams and a remix from GRAMMY® winner David Guetta, the song proved Dasha’s ability to transcend genre and expectation without losing her country roots.
A New Face of Pop Country
Anna is more than an EP, it’s a statement of intent. Dasha isn’t just testing the boundaries of pop country; she’s redrawing them. From backroad confessionals to glitter-drenched hooks, her songs carry the emotional honesty of Nashville’s golden age wrapped in a modern, fearless sheen.
With Anna, Dasha cements herself not just as one to watch, but as one who’s already arrived, confident, creative, and utterly in control. Pop country’s new leading lady has entered the room, and she’s not waiting for permission to make it her own.
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