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Blake Shelton Unleashes His Best Album Yet with For Recreational Use Only

New label, new collaborators, and a new perspective bring Shelton’s most grounded and freewheeling work to date.


Credit: Robby Klein
Credit: Robby Klein

After earning his 30th career No. 1 with the swagger-soaked “Texas,” Blake Shelton is back, and quite possibly better than ever. His new album, For Recreational Use Only, arrives via BBR Music Group/Wheelhouse Records and delivers twelve tracks packed with Southern grit, heartache, and the kind of backroad wisdom that only Shelton can translate into pure country gold.


It’s been four years since his last studio release, but this one feels like a reset and a revival. A new label home often brings new energy, and for Shelton, it seems to have sparked a creative fire that burns with both reflection and unfiltered fun. “I can’t believe it’s been four years since we released an album, and I’m excited to get the whole record out there,” Shelton shared. “I’ve always been someone who wants to collect great songs, but sometimes the hardest thing to do is to find something that hasn’t been said or written before... and I think we did it again with this album.”





And he’s not wrong. For Recreational Use Only finds Shelton walking the line between radio-ready hooks and deep-cut confessionals. Among those is the standout “The Keys,” a slow-burning ballad co-written by HARDY that Shelton says hit him “straight in the gut.” It’s a tender ode to the little things we keep long after they’ve lost their function, apartment keys, old truck keys, the past. “This song really got to me,” Shelton said. “The story, the melody, the way it wraps up at the end... I couldn’t shake it.”


HARDY also co-wrote “Let Him In Anyway,” another emotional gut-punch with shades of Shelton’s classic “Drink On It” era. “Songs like this are why I still love making records,” he says. That love is felt throughout the album, especially in the rollicking duet “Heaven Sweet Home” with Craig Morgan and the soulful “Years,” which features a legendary cameo from John Anderson. Yes, that John Anderson. It’s a pinch-me moment for longtime fans and a full-circle nod to Shelton’s Oklahoma roots.


Elsewhere, Shelton keeps things light, loud, and laced with charm. “Hangin’ On,” a breezy track featuring wife Gwen Stefani, balances playfulness with real affection. “Don’t Mississippi” is a clever, wordplay-rich stomper, while “Stay Country or Die Tryin’” opens the record with a boot-stomping mission statement: Shelton hasn’t gone anywhere, he’s just dialed in like never before.





For Recreational Use Only doesn’t chase trends. It chases truth, twang, and a little trouble. From the cleverly crafted “Cold Can” to the introspective “All of My Love,” which Shelton co-wrote with the Swon Brothers, there’s a sense of seasoned storytelling that sets this project apart. This is not a man trying to reinvent himself, it’s a man reclaiming what he loves most about making music.


With a fresh label partnership and a stacked roster of songwriting heavyweights including Shane McAnally, Craig Wiseman, and HARDY, Shelton has put together a record that’s equal parts polished and personal. It’s a reminder that sometimes, the best kind of country is the kind that doesn't overthink itself.


For Recreational Use Only might just be Shelton’s best album yet. It’s a career highpoint delivered with a wink, a heart wide open, and a cold can in hand.


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