Nine Country Music Songs You Need To Hear This Week Featuring Hudson Westbrook, Vincent Mason, Dierks Bentley & More

Hudson Westbrook - Dressed Down

Hudson Westbrook continues to carve out his place in the modern country landscape with his latest surprise release, "Dressed Down". The rising Red Dirt star, known for his warm vocals and undeniable charm, delivers a romantic and effortlessly smooth date-night anthem that perfectly blends contemporary country with the heart of small-town simplicity. Written by Westbrook alongside Reid Haughton and Lukas Klingensmith, the song encapsulates the kind of easygoing intimacy that country music thrives on. The song’s lyrics paint a vivid picture of love beyond the grand gestures—celebrating the beauty in quiet, unguarded moments. “You look drop dead gorgeous / In that fancy downtown dress / But if I’m being honest / That ain’t even close to your best” sets the tone for a track that values authenticity over extravagance. Westbrook’s delivery is as smooth as ever, with a vocal warmth that makes every lyric feel personal. The production stays true to modern country’s sleek instrumentation—layering gentle electric guitar licks with an infectious melody that invites listeners to sway along. The chorus, “You know I love showin’ you off all over town / But I love what you're wearin’ when there’s no one's around,” captures the song’s essence: a heartfelt appreciation for the in-between moments that define real relationships. Beyond its romantic themes, "Dressed Down" showcases Westbrook’s ability to craft songs that resonate deeply with country fans. He strikes the perfect balance between playful and sentimental, making the song a strong contender for both radio airwaves and intimate playlist rotations. With Dressed Down, Hudson Westbrook solidifies his status as a next-generation country star. He’s not just riding the wave of modern country—he’s helping to shape it. If this release is any indication, Westbrook is only getting started, and country fans should keep their eyes on him as he continues his ascent.

Vincent Mason - Wish You Well

Vincent Mason has built a reputation as country music’s “Heartbreak Kid,” and his latest single, “Wish You Well,” cements that title with a masterful blend of sorrow, resilience, and melody. Written by an all-star team of Geoff Warburton, Jessie Jo Dillon, Blake Pendergrass, and Chris LaCorte, this track is a polished, whiskey-soaked anthem that turns heartache into a reason to raise a glass. At its core, “Wish You Well” is a song about the bittersweet acceptance of a love lost—when the only thing left to do is let go, even if it stings like a shot of Tennessee whiskey. Mason doesn’t just sing the words; he lives them, channeling raw emotion through a vocal performance that feels both deeply personal and universally relatable. His voice has never sounded better—there’s a richness in his delivery, a confident yet wounded edge that makes him seem wise beyond his years, with just a dash of fun. The lyrics perfectly balance longing and liberation, making this track not just a breakup song, but one of the most feel-good heartbreak drinking anthems in recent memory, It’s the kind of lyricism that paints a picture, and Mason delivers it with the conviction of someone who’s lived through every word. The chorus packs an even stronger punch, turning the phrase “wish you well” into something layered with longing, regret, and the futile hope that maybe, just maybe, things could have turned out differently. Chris LaCorte’s production keeps things fresh, infusing modern country with just the right amount of classic honky-tonk influence. The song’s instrumentation is polished but not overproduced, allowing Mason’s voice and the storytelling to take center stage. The steady rhythm and infectious melody ensure that while the lyrics might hit hard, the song itself is one you’ll want to sing along to—probably with a drink in hand. With “Wish You Well,” Vincent Mason doesn’t just embrace heartbreak—he makes it sound damn good. It’s another shining example of why he’s one of country’s most compelling rising stars, effortlessly blending depth, charm, and pure country soul. Whether you’re nursing a broken heart or just love a great country tune, this one’s bound to be on repeat.

Cody Jinks -  “It’s A Long Way To The Top (If You Wanna Rock ‘N’ Roll)

Cody Jinks has always been an artist who does things on his own terms, and his latest release—a powerhouse rendition of AC/DC’s “It’s a Long Way to the Top (If You Wanna Rock ‘n’ Roll)”—is no exception. Jinks injects his signature outlaw country sound into the rock anthem, seamlessly blending the grit of hard rock with the raw authenticity of country storytelling. With his deep, gravelly vocals, he transforms the song from a raucous rock anthem into an anthem of resilience, giving it a fresh yet familiar feel that longtime fans will appreciate. Jinks’ version of the song isn’t just a cover—it’s a statement. The lyrics, which speak to the struggles and sacrifices that come with chasing a dream, feel almost autobiographical when sung by an artist who has taken the long road to success. Unlike many in the industry, Jinks built his career from the ground up, shunning major label deals in favor of independence, and forging an unbreakable bond with his fanbase. His rendition of the song becomes more than just a tribute to AC/DC—it’s a battle cry for every artist who has fought for their place in the music world without compromising who they are. You can tell Jinks had a blast recording this track. The energy is electric, the instrumentation is tight, and there’s a looseness in his delivery that makes it clear he’s having fun while paying homage to the rock legends. The track’s fusion of country and rock elements creates a version that is uniquely Cody Jinks—gritty, soulful, and undeniably powerful. For longtime fans and newcomers alike, this release is a testament to the power of perseverance and the enduring appeal of honest, no-frills music. With this rendition, Jinks not only honors a classic but also reaffirms his place as one of country music’s most genuine voices.

Treaty Oak Revival - Bad State Of Mind 

Texas-based powerhouse Treaty Oak Revival has once again proven why they’re one of the most electrifying forces in modern country with their latest single, “Bad State of Mind.” Already a fan-favorite at their live shows, the track transforms raw emotion into a grungy, country-rock anthem that hits like a shot of whiskey—intoxicating, burning, and leaving a lasting impression. From the very first lyric—“Barely breathin’, the man inside my head is beatin’”—the song sets the stage for an unfiltered deep dive into self-destruction, regret, and reckless abandon. Treaty Oak Revival doesn’t just sing about emotional turmoil; they drag you straight into the eye of the storm. The pounding instrumentation mirrors the frantic energy of the lyrics, blending alternative rock’s angst with outlaw country’s storytelling—a signature sound the band has made entirely their own. The verses paint a picture of a narrator teetering on the edge, wrestling with self-doubt and addiction while masking pain behind a devil-may-care attitude. Lines like “And if you play your cards right, then you might see / That I'm dealing with a shifty hand and lying through my teeth” bring a raw honesty to the track, making it painfully relatable for anyone who’s ever felt like they were spiraling. The chorus, an anthemic explosion of self-awareness and reckless choices, drives home the song’s central theme: sometimes, the worst enemy is the voice in your own head. Their grungy, outlaw-infused country is a thrilling reminder that the genre isn’t bound by tradition; it’s meant to evolve, and these guys are leading the charge. For fans of hard-hitting, unapologetic country that refuses to play it safe, “Bad State of Mind” is a must-listen. Treaty Oak Revival isn’t just making music—they’re making a statement. And if this track is any indication, they’re only getting started.

Chase McDaniel - Burned Heaven Down 

Chase McDaniel has never shied away from raw, soul-stirring storytelling, but with “Burned Down Heaven,” he takes his artistry to its most vulnerable and compelling heights yet. Co-written with hitmakers Jon Nite and Lindsay Rimes, the track is a searing confession—an unfiltered reckoning with regret, heartbreak, and the weight of one’s own mistakes. From the moment McDaniel delivers the opening line—“If this ain’t hell, then it’s close”—it’s clear that he’s not holding anything back. His powerhouse baritone, rich with ache and conviction, turns every lyric into an unshakable memory. He doesn’t just tell a story; he makes you feel it, as if you were standing in that driveway with him, watching love slip away like embers in the wind. The song’s production is nothing short of cinematic. Rooted in classic country storytelling yet layered with soaring orchestration, “Burned Down Heaven” builds in intensity with every verse. The chorus—“Feels like I burned down heaven in that driveway / I learned my lesson a few tears too late”—is both poetic and devastating. Chase McDaniel solidifies himself as one of country music’s most thoughtful new artists. His ability to blend emotional depth with powerhouse vocals and cinematic instrumentation proves that he’s not just telling stories—he’s living them, and in turn, making sure we feel every moment. This may just be his best work yet.

Dierks Bentley - She Hates Me

No one delivers heartbreak with a wink quite like Dierks Bentley. His new track, "She Hates Me", is a masterclass in tongue-in-cheek country storytelling, pairing humor with heartache in a way that only Bentley can. It’s a clever, mischievous take on lost love, wrapped in his signature blend of contemporary country and rock influences. Bentley’s undeniable charisma shines through every note, making it impossible not to tap along—even as he laments his romantic misfortune. The song, which was penned during a writing camp last spring alongside longtime hitmakers Ashley Gorley, Ross Copperman, and Chase McGill, fits seamlessly into Bentley’s repertoire of heartbreak anthems with a twist. Fans of Somewhere On A Beach and Drunk On A Plane will feel right at home, as the track carries the same cheeky, self-deprecating spirit that has made Bentley a household name. The production, helmed by Copperman, Jon Randall, and Mary Hilliard Harrington, injects a refreshing garage-rock energy into the track. Smoky vocals glide effortlessly over driving drums, electrified guitars, and infectious hooks, creating an effortlessly cool atmosphere that’s both laid-back and anthemic. Bentley has long proven his ability to toe the line between humor and heartbreak, and "She Hates Me" is another shining example of his storytelling prowess. It’s fun, it’s fresh, and it’s bound to be a staple on playlists and radio waves alike. Whether you’re nursing a broken heart or just in the mood for a feel-good jam, Bentley’s got you covered once again.

Abbey Cone - I Kissed My Friend Last Night 

Rising songstress Abbey Cone’s new single, "I Kissed My Friend Last Night" is a raw, emotional exploration of the messiness that follows the end of a relationship. Produced by Matt Martin (known for his work with Faye Webster and Delaney Bailey), this track gives us a powerful glimpse into the emotional labyrinth we all know too well — the conflict of moving on while still grappling with the lingering ache of what was lost. Clocking in at just over two minutes, the song might be brief, but its depth is immeasurable. With ethereal synths and glittery guitars weaving through the track, the production channels a pop-country vibe that’s as infectious as it is introspective. It’s a sound that pulls you in, leaving you eager for more. The music itself feels like a reflection of the complexity Abbey conveys in her lyrics — a shimmering haze, uncertain but beautiful, much like the emotions after a breakup. What truly sets Abbey apart here, though, is her voice. It’s the kind of voice you can get completely lost in. Her harmonies—sung with two versions of herself—give the song a unique sense of tension and balance. One version of Abbey is ready to move on, to step into a new chapter; the other is still stuck in the grief of the past. That internal tug-of-war comes through so clearly in the way Abbey presents the duality of her emotions. You hear it in every note, every subtle nuance. The song is a perfect precursor to Abbey's upcoming debut album, Greener, which promises to be a sonic journey through the complexities of relationships, self-discovery, and healing. Abbey has already proven she’s an artist with the ability to capture universal emotions in an utterly captivating way. It’s clear she’s not just creating music; she’s making anthems for those of us still sorting through the haze of heartache and hope. In a genre that often finds itself leaning toward polished perfection, Abbey Cone stands out by embracing the rawness of the human experience. Abbey has set the stage for a debut LP that promises to be as powerful as it is unfiltered, marking the arrival of a star who is destined to leave an indelible mark on the country-pop scene.

Chase Matthew - You Turn 

Take three minutes, turn up the volume, and buckle in—because Chase Matthew isn’t just singing a song, he’s lighting a match. With "You Turn" the Nashville riser leans into his identity with full-throttle intensity, blending high-voltage country with a rock edge that leaves a lasting burn. Co-written by Matthew alongside Rotundo, Rose Falcon, and Brian Bunn, "You Turn" drips with tension, wrapped in the push-and-pull of a love too reckless to quit. The track is a highway chase between two hearts that know they should part ways, but when the night gets late and the sparks start flying, they can’t resist another dangerous detour. The lyrical imagery—gasoline, matches, and dangerous curves—sets the scene for a moonlit rendezvous built on equal parts desire and destruction. Musically, the song is a powerhouse. Co-producers Austin Shawn and Brian Bunn craft an electrifying atmosphere, layering digital beats with doubled acoustic guitars and a searing hook that refuses to let go. Matthew’s Tennessee drawl glides effortlessly between smooth control and raw urgency, reinforcing the emotional stakes at play. It’s the kind of song that doesn’t just tell a story—it makes you feel every reckless mile of it. Chase Matthew proves he’s found his lane—and he’s not slowing down. If this is the sound of his future, we’re all in for one hell of a ride.

Muscadine Bloodline - Chickasaw Church of Christ

Country music has always been about storytelling, and few duos craft narratives as vividly as Muscadine Bloodline. With their new song "Chickasaw Church of Christ", they strip everything down to the raw emotions of love, loss, and that fleeting moment before goodbye. No overproduction, no gimmicks—just a delicate acoustic guitar, heartfelt vocals, and a story that hits like a punch to the gut. From the very first lines, Charlie Muncaster and Gary Stanton paint a picture of young love on the brink of change. The song follows a couple on the night before one of them leaves for college, grappling with the weight of their last few hours together. There's no anger, no dramatic fallout—just the bittersweet realization that their love is about to be a memory. Every word carries the weight of something unsaid, the tension between wanting to hold on and knowing it’s time to let go. The storytelling here is Southern Gothic in its simplicity, rooted in a specific place—the Chickasaw Church of Christ—but universal in emotion. Anyone who has ever stood on the edge of change, watching someone they love slip into their next chapter, will feel this song deep in their bones. There’s something so poetic about that setting—an old church, a sacred place where love lingers even after the people are gone. It’s a quiet plea to hold onto something just a little longer, even when both know it’s slipping away. Muscadine Bloodline thrives in moments like this. They don’t just write songs; they paint pictures, full of nostalgia, dusty backroads, and the ghosts of what-could-have-beens. This isn’t a song you just listen to—it’s one you feel, one that transports you to a moonlit parking lot, headlights off, two people clinging to each other before their world changes forever. With "Chickasaw Church of Christ", Muscadine Bloodline cements their place as two of country’s finest modern storytellers. This song doesn’t need big production or radio-ready hooks. Its power lies in its honesty, in its ability to capture a fleeting moment of love, loss, and longing—one that feels achingly real to anyone who's ever had to say goodbye before they were ready.