Nine Country Music Songs You Need To Hear This Week Featuring Kip Moore, Ole 60, Lily Rose & More

Kip Moore - SOLITARY TRACKS DELUXE

Kip Moore has never been an artist to play it safe. From the moment he stepped onto the country music scene, he’s built a reputation for chasing creative truth rather than chasing trends. Now, with the release of the deluxe edition of his critically acclaimed sixth studio album Solitary Tracks, Moore is not just adding to his catalog, he’s widening the frame on one of the most ambitious chapters of his career. Distributed by Virgin Music Group, the expanded collection swells to an impressive 26 tracks, a testament to both Moore’s prolific songwriting and his refusal to edit himself down for the sake of convention. At the heart of the new release is “American Heartbreak,” a brand-new track that encapsulates Moore’s ability to write stories that feel both deeply personal and universally relatable. With its rugged vocal delivery and unvarnished emotion, the song reads like a love letter to the messy, beautiful contradictions of the American spirit. But the deluxe edition is not just about new material. Moore has also gifted fans two live, stripped-down versions of standout cuts “Solitary Tracks” and “Rivers Don’t Run.” The reimagined performances bring a raw, intimate energy to songs that already carried emotional weight. Without the polish of studio production, Moore’s voice sits front and center, weathered, earnest, and unshakably human. It’s a reminder that behind the arena-sized anthems lies an artist who can hold a room with nothing more than a guitar and a story. Solitary Tracks, in its original form, was hailed as Moore’s most complete artistic statement to date, an album that wove together moments of grit and grace, wanderlust and reflection. The deluxe edition magnifies that vision, making space for more of the sonic and lyrical landscapes that Moore has spent years exploring. It’s a project that rewards both casual listeners and devoted fans, offering something new without losing the heartbeat of what made the album resonate in the first place. For Moore, whose career has been marked by both critical respect and a fiercely loyal fan base, this release feels like a victory lap and a new beginning all at once. It’s the sound of an artist unafraid to stretch the limits of his own craft, and inviting the rest of us to take the long way around with him.

Ole 60 - Really Wanna Know

Ole 60 have never been a band to shy away from raw emotion, and with their latest single, Really Wanna Know, the Kentucky-based outfit takes listeners on a smoky, soul-baring ride through heartbreak, distance, and the restless pursuit of the truth no one really wants to hear. Written by Jacob Ty Young and Robert Langdon, and brought to life under the meticulous production of Jacquire King and Justin Eckard, Really Wanna Know blends melancholy with momentum. Chugging, grunge-country instrumentation creates a simmering undercurrent, while Young’s yearning and dynamic vocal delivers each line with the precision of a confession and the bite of a wound that hasn’t quite healed. The song unfolds like a late-night text you shouldn’t answer but can’t ignore. The opening verse paints a vivid scene of a touring life interrupted by memories of someone left behind. “Another night another show / Another crowd of rowdy folks / Singing a song that ain’t about you / If you really wanna know,” Young sings, the words teetering between defiance and vulnerability. Lyrically, the track thrives in its duality. On the surface, it’s a breakup post-mortem, cataloging missed calls, reckless nights, and roadside mishaps, from losing weed to the West Virginia state boys to leaving “skin on the pavement in Jacksonville.” But beneath the grit lies the unshakable question: is it love, longing, or just curiosity that keeps both parties tethered to the conversation? The chorus drives this tension home, posing the title’s refrain as both an accusation and a dare. “You ain’t here to hold and you’ve been wondering / Who’s in my arms instead / Well I really wanna know / What you really wanna know.” It’s the musical equivalent of holding someone’s gaze just a second too long. By the bridge, the mask slips entirely. The bravado fades, replaced by an admission: “If I still miss you after all I’ve seen / The answer would be yes.” It’s a moment of emotional clarity that feels earned, given the build of the track’s three minutes and forty seconds. In a genre where nostalgia often wears a sepia filter, Really Wanna Know opts for stark, unvarnished truth. It’s road dust and raw nerve endings, wrapped in a sound that marries ’90s alt-rock grit with country storytelling. The result is a single that lingers, not because it answers the question, but because it knows some questions are better left to echo.

Lily Rose - Of Course I Do

Lily Rose has made a career out of telling it straight, but her new single “Of Course I Do” takes that honesty to a raw, unfiltered level. Out now, the track is a slow-burning confession that sits in the ashes of a love gone cold, sifting through what’s left and finding that the hurt still smolders. Co-written with Paul DiGiovanni, Andy Albert, and Emily Weisband, the song reads like a diary page torn out in the middle of the night. Every line feels like it’s been lived in, a collection of truths too heavy to say out loud until now. The verses are intimate, almost whispered, while the chorus blooms into something bigger, a release that’s both cathartic and cutting. The guitar-driven production simmers beneath Rose’s vocal, giving the ache a pulse and a backbone. It’s a sound that feels both rugged and refined, blending her country storytelling roots with a modern edge that makes each note land harder. The song doesn’t just tell you she’s hurting, it lets you sit there with her, feeling every quiet beat of the aftermath. As the final release before her 13-track album I Know What I Want arrives October 3, “Of Course I Do” is more than just a teaser. It’s a statement of intent. Rose sounds grounded, self-aware, and fearless in her storytelling, confident in her craft even as she sings about the moments when she’s not sure of anything at all. There’s a quiet power in her delivery, the kind that comes from knowing exactly who you are, even when life throws you into the unknown. In “Of Course I Do,” Lily Rose turns heartbreak into something cinematic, a slow burn you can’t look away from, the kind of song that lingers long after the last note fades.

Alexandra Kay - Straight For The Heart

Alexandra Kay is charging full speed into her next chapter with the powerhouse single “Straight For The Heart,” The track serves as the first taste of her highly anticipated sophomore album, and it is nothing short of a statement piece. From the very first note, “Straight For The Heart” strikes like a live wire. It is the sound of someone refusing to hold back, embracing the messy beauty of love even when the odds are stacked against it. Kay delivers a soaring, urgent vocal that refuses to waver, carrying the message that if love is on the line, hesitation has no place. The song’s lyrical heartbeat is simple yet profound: take your shot, and make it count, because moments like these do not wait around. This new era of Alexandra Kay feels bold, deliberate, and deeply personal. Where her debut album proved her as a storyteller with a knack for vulnerability, “Straight For The Heart” positions her as a force who can channel that same authenticity into a commanding, anthemic sound. There is an unshakable confidence in the way she delivers each line, as if she is not just singing about taking a risk, she is living it. For fans, the single is a promise of what is to come: a project that does not just tell her story, but lives in it fully, with all the highs, lows, and risks that make life worth the leap. If “Straight For The Heart” is any indication, Alexandra Kay’s sophomore album will not only be a career-defining moment but also a fearless love letter to the very thing that makes her music resonate truth delivered without compromise.

Bailey Zimmerman - Different Night Same Rodeo

Bailey Zimmerman is not here to quietly follow up his debut. With Different Night Same Rodeo, the Illinois native delivers a high-voltage collection that proves his meteoric rise is no accident. The 18-track record plays like a love letter to the whirlwind journey that has taken him from small-town dreamer to one of country’s most electrifying voices. Zimmerman opens up in ways we have not heard before, balancing the rafter-shaking, rock-fueled anthems that first put him on the map with moments of raw, unguarded vulnerability. Each song feels hand-carved for the stage, yet rooted in the kind of lived-in truth that hits just as hard through a pair of headphones on a midnight drive. At its core, the album captures what Zimmerman calls the “emotional rodeo” of everyday life, the heartbreaks, the triumphs, and the long, dusty stretches in between. His sharpened songwriting turns these moments into arena-ready singalongs, without losing the grit and sincerity that make his voice instantly recognizable. From the first chorus to the final note, Different Night Same Rodeo leaves no doubt about Zimmerman’s place in the modern country landscape. He is a born performer with an instinct for connection, a knack for melody, and a growing catalog that refuses to stay in one lane. This is not just a sophomore album, it is a statement, and it lands like a thunderclap.

The Castellows - Acoustic Live Sessions

There is something almost otherworldly about the way siblings can blend their voices, a seamless weave of tone, texture, and heart that can’t be taught. The Castellows, three sisters out of Georgia, have been carrying that torch with effortless grace, and their new release Acoustic Live Sessions proves just how captivating blood harmonies can be. Out now via Warner Music Nashville, the six-song collection strips away every layer but the essentials. It’s a project that invites listeners into the living room, close enough to hear the breaths between phrases and the raw emotion tucked into each lyric. Here, the sisters take fan favorites from their debut EP Homecoming, a few early gems, and brand-new acoustic recordings, distilling them into pure, unpolished magic. Among the reimagined standouts are Homecoming staples like “Old Way” and “Sheltered,” each recast with a gentleness that lets the harmonies take center stage. Their rendition of Patty Loveless’s classic “You Don’t Even Know Who I Am” is a masterclass in emotional restraint, offering quiet devastation rather than dramatic heartbreak. The project also includes a tender acoustic version of “Alabama Stone,” a song that feels even more intimate in this setting, and closes with the new focus track “Red Dirt Girl.” Every note, every chord, every perfectly imperfect detail was captured live, giving the songs a presence that feels almost tactile. The Castellows have always balanced a neo-traditional country sound with modern sensibilities, but Acoustic Live Sessions pushes their storytelling into its rawest form yet. It is the kind of record that doesn’t just invite you to listen, it dares you not to get lost in it. These sisters are more than a group worth watching. They are a reminder that when it comes to country music, honesty will always outshine polish, and harmony will always hit deeper when it’s born from the same blood.

Noah Hicks - Get Enough 

Noah Hicks knows what it means to wrestle with conflicting emotions, and he lays that struggle bare in his latest single, “Get Enough.” The Georgia-born singer-songwriter masterfully blends Southern swagger with raw grit to tell the story of a love that’s as intoxicating as it is destructive. Caught in the whirlwind of a relentless on-again, off-again relationship, Hicks finds himself trapped between what his heart desperately craves and what his mind desperately warns against. Every time she reenters his life, chaos follows. Deep down, he senses she can never truly give him what he needs, yet the pull remains irresistible. It’s a timeless tale of love’s push and pull, painted vividly through Hicks’ authentic Country vocal delivery. The song opens with a reflective verse where Hicks’ voice holds steady, drawing listeners into his internal conflict. Then, just as the tension builds, the track bursts into a powerful, rock-driven chorus. Fueled by electric guitars that surge with urgency, the chorus channels both frustration and desperation in equal measure. It is a cathartic release that perfectly mirrors the emotional turbulence at the heart of the story. Co-written with seasoned hitmakers Lindsay Rimes and John Pierce, “Get Enough” marks a bold evolution in Hicks’ musical journey. The track’s adrenaline-fueled energy stands as a testament to his growth and versatility as both an artist and songwriter. With this release, Noah Hicks proves he is not afraid to push boundaries and explore the complexities of love through a fresh, electrifying sound. “Get Enough” is more than just a song. It is a raw, honest reflection of the battles we all face when head and heart refuse to see eye to eye. And Noah Hicks delivers that truth with all the passion and authenticity that has quickly become his signature.

Chase McDaniel - My Side Of The Family 

With a voice both bold and unflinching, Chase McDaniel invites listeners to step into the raw heart of his story through his new single “My Side Of The Family.” This track is a striking window into the complex, autobiographical journey that shapes his debut album, Lost Ones. In a world where country music often romanticizes family ties, McDaniel opts instead for a candid, sometimes painful self-examination that refuses to shy away from difficult truths. At its core, country music is about storytelling, real, honest stories that connect us to shared human experiences. On this track, McDaniel nails that tradition on the head, delivering a story that is both deeply personal and universally resonant. Produced by Lindsay Rimes, “My Side Of The Family” balances its heavy themes with a melody that is unexpectedly light on its feet. The nimble dance of banjo, acoustic guitar, and fiddle carries McDaniel’s emotionally charged lyrics with a surprising grace. It’s a delicate musical framework for an internal dialogue that digs deeper into his past, exploring the shadows that cling to family legacies. Written alongside Zach Kale and Seth Mosley, the verses reflect a man counting his blessings: a loving future wife and a supportive father-in-law stand out as anchors of hope amid turmoil. Yet the chorus strips away all pretense, revealing an honest, vulnerable wrestling with inherited struggles. McDaniel asks aloud if the “same demons” running through his bloodline will find their way to his son. His confession is a prayer raw, uncertain, and deeply human, that the next generation might break free from the cycle. In “My Side Of The Family,” Chase McDaniel crafts more than a song. He creates a moment of truth that resonates far beyond the music. It is an intimate portrait of pain, growth, and the fragile hope that love can rewrite the story we inherit. This is country music at its most powerful: unguarded, real, and filled with heart.

Drake White - Nuthin’ But a Smile

When it comes to blending soul and country with effortless ease, Drake White stands tall as country’s undisputed king of soul. His latest single, “Nuthin’ But a Smile,” arrives just in time for the long, sun-drenched days of August, offering a soundtrack that feels like a warm river breeze and a chilled drink in hand. The song opens with a wailing guitar that immediately transports listeners to a lazy afternoon on the river. It’s the kind of sound that summons memories of backyard get-togethers and laughter echoing over water. Layered beneath is a rich organ that weaves through a steady, head-nodding rhythm, setting the stage for White’s vivid storytelling. White doesn’t just sing, he paints a scene. The lyrics invite you into “a river rat pipe dream party scene where the lies and the horseshoes fly.” It’s a place where honest fun rules, and the everyday worries take a backseat. The energy builds into a fun and flirty chorus that captures the spirit of easy summer love: “Don’t get me wrong. I’m digging on your cut-off and flip-flop style, but I must confess, girl, you look your best wearing nuthin’ but a smile.” “Nuthin’ But a Smile” is more than a summer jam, it’s a reminder that sometimes, the simplest things hold the greatest beauty. White’s butter-smooth guitar leads and soulful bluesy howl bring a satisfying close, leaving listeners with a song that’s equal parts heartfelt and foot-stomping fun. In a genre that thrives on storytelling, Drake White nails the essence of country music at its core. He delivers a track that feels timeless yet fresh, a perfect companion to those golden August days when all you need is good company, good music, and nothing but a smile.

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